“Forget the Arctic Monkeys. This documentary paints a much  more interesting picture of the darker side of Sheffield life.” 
                 “One of the highlights of the International Documentary Festival 2006.” 
               
              
                 
                    
                        
                        
                          Directed by  
                            Produced by   
                                   
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                          Kim Flitcroft 
                            Alex Usborne & Jacques Bidou
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                  Picture Palace  North  / JBA Production / Arte France / Channel Five / Yle / RTBF / TV Ontario / The Documentary  Channel / LRT / Danmarks Radio 
                  “The team behind the award-winning 1995 documentary Tales From A Hard  City, director Kim Flitcroft and producer Alex Usbourne, have returned to  that film’s core themes for their latest collaboration, the more succinctly  titled Fucking Sheffield.  
                   Rather than look at the city as a whole, Flitcroft has opted for a more  personal approach, focusing on the lives of four ordinary working class  Sheffielders, each facing different obstacles in their lives and careers. Mick  is an unemployed heroin addict who dreams of resuscitating his old Vespa  scooter for one last trip to Cleethorpes. Cassi is a pregnant lapdancer, facing  something of a career crossroads, with aspirations of a career in the music  business. Stevlor is a photographer working on a book of pseudo-arty shots  which he hopes will enhance the reputation of Sheffield’s  female population. And Glen, who appeared as a car thief and heroin addict in Tales  From A Hard City, is now grown up, clean, and looking for work. 
                   Fortunately, two of the four characters came good, with Stevlor providing  comedy and seediness in equal measures and Mick stealing the show, selling his  laminate flooring for a fix, and spending a considerable chunk of his weekly  budget on stickers for his beloved Vespa. For all his failings along the way,  his stuttering journey towards getting a methadone script and reviving the  fortunes of his scooter is a truly heartwarming one, and certainly the main  reason behind this film’s success.” 
                    David Coleman  
                  Independent Film & Music Magazine  
                    
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